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GigNet Completes Installation of 14-kilometer Fiber-Optic Broadband Network from Downtown Tulum to the Tulum Hotel Zone

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Business News first on FIR:

CHICAGO–()–GigNet, a Digital Infrastructure company with a 200-kilometer fiber-optic broadband network from Costa Mujeres to Cancun to Tulum, announced today that it has completed the installation of an additional 14-kilometer fully redundant fiber-optic broadband network from downtown Tulum along the Hotel Zone to the entrance of the Sian Ka´an Biosphere Reserve. Victor Mas Tah, Mayor of Tulum, said, “We consider fast and stable connectivity to be an important resource in today’

Jamaica hires crisis recovery expert to strengthen tourism rebound

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Jamaica hires crisis recovery expert to strengthen tourism rebound

Jamaica hires crisis recovery expert to strengthen tourism rebound

Tourism Minister Hon. Edmund Bartlett has announced that his Ministry hired international crisis recovery expert Jessica Shannon, to the COVID-19 Tourism Recovery Task Force’s secretariat, in an effort to strength the country’s resilience plan for the sector.

Jamaica hires crisis recovery expert to strengthen tourism rebound

Jessica Shannon

Speaking at a digital press briefing hosted by the Tourism Ministry earlier today, Bartlett noted that, “she comes to us with a wealth of experience in crisis management. Her work with PWC internationally is going to play a big role in our being able to draw on international best practices, based on her own experiences.”

Shannon is a Price Waterhouse Coopers (PWC) Advisory Partner and has served as their deployed point partner throughout the Ebola crisis, focusing on the response and recovery efforts in West Africa. In this context she served as a senior advisor to private companies and government organizations in the design of strategy, policies and protocols as well as risk identification and monitoring.

“She was very essential in working with the Centers for Disease Control and Prevention among others to work out the protocol for the Ebola pandemic…. So, bringing her on board, particularly for her to focus on fine-tuning the protocols over the next few days, is going to be seminal, in terms of enabling us to deliver that protocol the Prime Minister wants in short order,” he added.

In addition to her current client engagements, she is part of a small task force established to refine and drive the implementation of PwC’s global near- and mid-term strategic transformation in the wake of COVID-19.

She has been a Subject Matter Expert for the G20 think tank on economic and financial resilience and a speaker at conferences hosted by Harvard University, the World Bank and the United Nations.  Prior to PwC, she gained strategy experience as a management consultant with the Boston Consulting Group (BCG) and on the global leadership team at EY. She also has an MBA from Harvard Business School.

This is the second addition to the committee from Price Waterhouse Coopers, as it also includes PWC’s Senior Partner, Wilfred Baghaloo, who chairs the COVID-19 General Tourism Working Team sub-committee.

Baghaloo was also the Co-Chairman of the Tourism Working Group for the Jamaica Tourism Linkages Committee which assessed how to ensure more local linkages to tourism industry and the development of local supply industries to the tourism sector.

The Ministry established the Covid-19 Tourism Recovery Taskforce last month, with a public-private sector collaboration consisting of key stakeholders from the tourism sector, the Ministry of Tourism, and Agencies of the Ministry. It will be supported by two Working Teams – one for general tourism and another for cruise tourism – and a Secretariat.

The Task Force has been tasked to bring about a realistic view of the sector’s baseline or starting position; develop scenarios for multiple versions of the future; establish the strategic posture for the sector as well as a broad direction of the journey back to growth; establish actions and strategic imperatives that will be reflected across various scenarios; and establish trigger points to tackle action, which includes a planned vision in a world that is learning to evolve rapidly.

“It is an honour and a pleasure to support the Jamaican tourism sector in this regard. I appreciate the opportunity… I have worked in a number of different crisis response situations to support Governments and the private sector,” said Shannon.

#rebuildingtravel

– eTurboNews | Trends | Travel News

Bartlett: J$250 million paid over to Tourism Workers Pension Scheme Fund Manager

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J$250 million paid over to Tourism Workers Pension Scheme Fund Manager – Bartlett

Bartlett: J$250 million paid over to Tourism Workers Pension Scheme Fund Manager

Jamaica’s Tourism Minister, Hon Edmund Bartlett says the initial $250 million of the $1 billion committed to long-awaited Tourism Workers’ Pension Scheme by the Government has been paid over to the newly selected-fund manager, Sagicor Jamaica Limited.

“The long awaited Tourism Workers Pension Scheme has reached another milestone. We can now announce that we have an Investment Manger which is Sagicor and the Fund Administer is Guardian General. Additionally J$250 million of the J$1 billion from the Ministry’s injection has been disbursed to seed the fund to ensure these workers have a pension,” said Minister Bartlett.

He noted that he is currently awaiting the House’s approval of the regulations, which will pave the way for the Scheme’s implementation, once industry workers return to their jobs.

“The well-being of our workers in the industry remains a priority for us at the Ministry of Tourism. We are forging ahead with this scheme because we want to ensure that after the coronavirus (COVID-19) has passed, the pension program will be in place,” said the Minister.

The pension scheme is a defined contributory plan supported by legislation and will require mandatory contributions by workers and employers.

The tourism workers’ pension scheme is designed to cover all workers ages 18-59 years in the tourism sector, whether permanent, contract or self-employed, the ministry said. It further noted that this includes hotel workers as well as persons employed in other tourism sub-sectors such as craft vendors, tour operators, red cap porters, contract carriage operators and workers at attractions.

Benefits will be payable at age 65 years or older.

The Ministry of Tourism is providing $1 billion to seed the fund, so that immediate benefits can accrue to qualified pensioners, who have met the vested period of five years.

MEDIA CONTACT: Jamaica Ministry of Tourism, Corporate Communications, 64 Knutsford Boulevard, Kingston 5, Tel: 920-4926-30, Fax: 920-4944

A Message From Oscar Munoz and Scott Kirby

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United Airlines News Releases first on FIR:

CHICAGO, March 27, 2020 /FIR — Oscar Munoz, Chief Executive Officer, and J. Scott Kirby, President, today issued the following message to nearly 100,000 United Airlines (NASDAQ: UAL) employees:

To our United Family:

Today, Congress passed an emergency COVID-19 response bill that includes significant financial backing for the airline industry. This decisive, bipartisan action by our elected leaders in Washington, D.C. is good news for our country, our economy, our health care system, our industry, and importantly our family here at United Airlines.

The impact of COVID-19 on demand for air travel has been dramatic and unprecedented – far worse than even the aftermath of 9/11. This federal assistance buys us time to adapt to this new environment and assess how long it will take for our economy to begin to recover. But, what this means for you right now is that *United will not conduct involuntary furloughs or pay cuts in the U.S. before September 30th*.

Everyone had a role in this effort and, as you always do, you came through for us. While Oscar, Scott, our union leaders and our government affairs and regulatory teams worked around-the-clock, on behalf of all of you, to educate leaders in the federal government about the unique and dramatic impact the COVID-19 outbreak has had on United Airlines, our United Airlines family sprang into action.

Your participation in the last few days was critical. More than 30,000 of you sent more than 100,000 messages to your representatives in Congress and another 5,000 signed a petition for international employees and retirees. Our union leaders also activated their organizations to amplify the message for the good of our company. The speed at which everyone stepped up and acted was remarkable and shows that when we come together, we can accomplish incredible things for our company. Thank you for what you did to help in getting this legislation passed.

We also wanted to pause and thank you for performing at your best to take care of our customers and each other through all of this uncertainty. Our operations teams have literally been on the front lines of this crisis, working directly with our customers and helping them navigate the ever-changing series of schedule adjustments, government mandates and restrictions on places prohibiting travel.

Specifically, our pilots, flight attendants, airport agents, ramp service, technicians and catering teams are showing up at airports all across the country, every day, helping customers and one another, and looking for opportunities to do the right thing. But they’re not the only ones who continue to go the extra mile in these trying times – it should be no surprise that our contact center employees have been particularly tested, handling nearly one million calls in the last two weeks alone. Through it all, they are doing what they do best: being there for our customers and remaining upbeat and positive.

Across the board, we’ve never been prouder of this team and what we stand for but unfortunately our work is just beginning. As we look forward, the lessons of past disruptions like 9/11 tell us that we can’t pretend that we are out of the woods. Things are very different today than they were just four weeks ago.

The global economy has taken a big hit, and we don’t expect travel demand to snap back for some time. Our April schedule is already cut by more than 60% and we expect our load factors to fall into the teens or single digits even with 60% less capacity. We are currently planning to make even deeper cuts in May and June.

And, based on how doctors expect the virus to spread and how economists expect the global economy to react, we expect demand to remain suppressed for months after that, possibly into next year. We will continue to plan for the worst and hope for a faster recovery but no matter what happens, taking care of each of our people will remain our number one priority. That means being honest, fair and upfront with you: if the recovery is as slow as we fear, it means our airline and our workforce will have to be smaller than it is today.

Amid these questions about United’s future and this disruption to our daily routines, we feel it’s more important than ever to connect with you. Social distancing makes that challenging, of course, but our team has found a way for us to use technology to host a “virtual town hall” next Thursday, April 2nd, where we can talk more about these challenges and answer your questions. We’ll soon have more details on timing and how you can participate. We hope you will.

We remain in the business of serving people even when there are fewer people traveling. And even in this time of uncertainty, some things are constant: we still have the best airline professionals in the world; we still put our customers at the center of everything we do; we still operate in the best hubs; and we still have a deep-seated culture of caring for one another.

So when travel demand returns – and it will return – we will bounce back and be ready to accelerate towards our goal of becoming the best airline in the history of aviation.

Thank you for all you do.

Oscar and Scott

About United

United’s shared purpose is “Connecting People. Uniting the World.” We are more focused than ever on our commitment to customers through a series of innovations and improvements designed to help build a great experience: Every customer. Every flight. Every day. Together, United and United Express operate approximately 4,900 flights a day to 362 airports across six continents. In 2019, United and United Express operated more than 1.7 million flights carrying more than 162 million customers. United is proud to have the world’s most comprehensive route network, including U.S. mainland hubs in Chicago, Denver, Houston, Los Angeles, New York/Newark, San Francisco and Washington, D.C. United operates 791 mainline aircraft and the airline’s United Express partners operate 581 regional aircraft. United is a founding member of Star Alliance, which provides service to 195 countries via 26 member airlines. For more information, visit united.com, follow @United on Twitter and Instagram or connect on Facebook. The common stock of United’s parent, United Airlines Holdings, Inc., is traded on the Nasdaq under the symbol “UAL”.

Safe Harbor Statement under the Private Securities Litigation Reform Act of 1995: Certain statements in this release are forward-looking and thus reflect the Company’s current expectations and beliefs with respect to certain current and future events and anticipated financial and operating performance. Such forward-looking statements are and will be subject to many risks and uncertainties relating to the Company’s operations and business environment that may cause actual results to differ materially from any future results expressed or implied in such forward-looking statements. Words such as “expects,” “will,” “plans,” “anticipates,” “indicates,” “remains,” “believes,” “estimates,” “forecast,” “guidance,” “outlook,” “goals,” “targets” and similar expressions are intended to identify forward-looking statements. Additionally, forward-looking statements include statements that do not relate solely to historical facts, such as statements which identify uncertainties or trends, discuss the possible future effects of current known trends or uncertainties, or which indicate that the future effects of known trends or uncertainties cannot be predicted, guaranteed or assured. All forward-looking statements in this release are based upon information available to the Company on the date of this release. The Company undertakes no obligation to publicly update or revise any forward-looking statement, whether as a result of new information, future events, changed circumstances or otherwise, except as required by applicable law.

The Company’s actual results could differ materially from these forward-looking statements due to numerous factors including, without limitation, the following: the Company’s ability to execute its strategic operating plan, including its growth, revenue-generating and cost-control initiatives; general economic conditions (including interest rates, foreign currency exchange rates, investment or credit market conditions, crude oil prices, costs of aircraft fuel and energy refining capacity in relevant markets); risks of doing business globally, including instability and political developments that may impact its operations in certain countries; demand for travel and the impact that global economic and political conditions have on customer travel patterns; the Company’s capacity decisions and the capacity decisions of its competitors; competitive pressures on pricing and on demand; changes in aircraft fuel prices; disruptions in the Company’s supply of aircraft fuel; the Company’s ability to cost-effectively hedge against increases in the price of aircraft fuel, if it decides to do so; the effects of any technology failures, cybersecurity or significant data breaches; disruptions to services provided by third-party service providers; potential reputational or other impact from adverse events involving the Company’s aircraft or operations, the aircraft or operations of its regional carriers or its code share partners or the aircraft or operations of another airline; the Company’s ability to attract and retain customers; the effects of any terrorist attacks, international hostilities or other security events, or the fear of such events; the mandatory grounding of aircraft in the Company’s fleet; disruptions to the Company’s regional network; the impact of regulatory, investigative and legal proceedings and legal compliance risks; the success of the Company’s investments in other airlines, including in other parts of the world; industry consolidation or changes in airline alliances; the ability of other air carriers with whom the Company has alliances or partnerships to provide the services contemplated by the respective arrangements with such carriers; costs associated with any modification or termination of the Company’s aircraft orders; disruptions in the availability of aircraft, parts or support from its suppliers; the Company’s ability to maintain satisfactory labor relations and the results of any collective bargaining agreement process with its union groups; any disruptions to operations due to any potential actions by the Company’s labor groups; labor costs; the existing outbreak of coronavirus and the outbreak of any other disease or similar public health threat that affects travel demand or travel behavior; the impact of any management changes; extended interruptions or disruptions in service at major airports where the Company operates; U.S. or foreign governmental legislation, regulation and other actions (including Open Skies agreements, environmental regulations and the United Kingdom’s withdrawal from the European Union); the seasonality of the airline industry; weather conditions; the costs and availability of aviation and other insurance; the costs and availability of financing; the Company’s ability to maintain adequate liquidity; the Company’s ability to comply with the terms of its various financing arrangements; the Company’s ability to realize the full value of its intangible assets and long-lived assets; any impact to the Company’s reputation or brand image and other risks and uncertainties set forth under Part I, Item 1A., “Risk Factors,” of the Company’s Annual Report on Form 10-K for the fiscal year ended December 31, 2019 as well as other risks and uncertainties set forth from time to time in the reports it files with the SEC.

SOURCE United Airlines

For further information: United Airlines Worldwide Media Relations, 872-825-8640, media.relations@united.com

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“Escape To Jamaica” Instagram Live series delivers a taste of the destination

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The Jamaica Tourist Board (JTB) is using its digital platform to deliver a virtual care package to uplift and inspire followers around the world currently practicing responsible social distancing. On Friday, April 3 at 9:00 pm ET (8:00 pm Jamaica time), the JTB will kick off its “Escape to Jamaica” Instagram Live series featuring one of Jamaica’s leading disc jockeys, ZJ Sparks. The popular ZIP 103 DJ will host a dance party spinning the latest reggae and dancehall hits live from Jamaica, helping viewers chill and unwind after another week of social distancing.

“Escape to Jamaica” will occur weekly on the JTB’s Instagram channel. In addition to sharing irie vibes, the series will also feature live cooking demos and pre-recorded wellness sessions. The first wellness session will be on Monday, April 6 at 9:00 am ET (8:00 am Jamaica time), with Empress Thandi Wise, Certified Yoga Instructor from Rasta Wellness Centre and Jakes Hotel. On Wednesday, April 8 at 6:00 pm ET (5:00 pm Jamaica time) the cooking demos debut with Andre Fowles, Food Network Chopped Champion and Culinary Ambassador for Miss Lily’s in New York, Negril and Dubai.

“We’re aware that people from all corners of the globe may be in need of an escape with what’s happening right now. With this live series, Jamaica offers a virtual getaway through our music, cuisine, culture, warm people and that unmistakable Jamaican spirit,” said Donovan White, Jamaica’s Director of Tourism. “Since visitors are unable to come to us at the moment, we want to bring the “Heartbeat of the World” to their homes. Jamaica will be here to welcome travelers when the time is right. We want our followers to know we can only get through this together.”

Following is the current schedule of the “Escape to Jamaica” series, with additional dates to be announced:

  • April 3: ZJ Sparks – Zip 103
  • April 6: Empress Thandi Wise – Certified Yoga Instructor, Rasta Wellness Centre and Jakes Hotel
  • April 8: Chef Andre Fowles – Food Network Chopped Champion and Culinary Ambassador for Miss Lily’s in New York, Negril and Dubai
  • April 10: DJ Delano – Renaissance Disco
  • April 15: Rousseau Sisters – Jamaican Sisters, owners of SummerHouse in Kingston and Authors of Provisions, The Roots of Caribbean Cooking
  • April 17: ZJ Chrome – Zip 103

To participate, be sure to visit the JTB’s Instagram account at www.instagram.com/visitjamaica. Join the conversation with #EscapetoJamaica.

MEDIA CONTACT: Jamaica Ministry of Tourism, Corporate Communications, 64 Knutsford Boulevard, Kingston 5, Tel: 920-4926-30, Fax: 920-4944

Tourism Resilience means Challenges, Opportunities & Hope: Bartlett speaks out

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Known to see the world also from out of the box the Hon. Edmund Bartlett is not only the current minister of tourism for Jamaica, but is the brain and founder of the Global Tourism Resilience and Crisis Management Centre

COVID-19
Hon. Minister of Tourism, Jamaica: Edmund Bartlett has a message for the global tourism world:

We need no further reminder that the COVID-19 pandemic has become a global shock of epic proportions. Accordingly, I will depart from the morbid and depressing narrative that you have grown accustomed to over the last several weeks and share with you a message of hope and reflection.

I am of the view that The COVID-19 pandemic will easily be the game-changer of this millennium. While the world has witnessed other deadly pandemics in recent history such as the Spanish Flu outbreak of 1918 and the H1NI outbreak of 2009, never before has a pandemic so quickly and frighteningly rendered countries across the world, so powerless and helpless in such a simultaneous and indiscriminate manner.

Suddenly, all the advanced and seemingly impenetrable technological, scientific and military capabilities that some countries have developed to bolster self-defense and geopolitical supremacy have become useless against this indomitable invisible threat; appropriately called the great equalizer.

The COVID-19 pandemic has also reminded us that, in spite of the lines of demarcation that we draw up to separate ourselves in our daily lives such as class, wealth, zip code, job, religion, nationality, there is ultimately ONE HUMAN RACE sharing the same vulnerabilities and locked into the same fight for its survival.

This pandemic has indeed offered a very profound lesson in humility by showing us that, irrespective of development disparities and against the assumption of the supremacy of some countries, all countries have their moments of strength and weakness that will become self-evident at the right time. In an ironic twist of fate, historically embattled and volatile states and regions have become safer grounds, even if only temporarily, in the fight against the COV1D-19 pandemic than many countries that have become global symbols of power, control, and security.

This crisis has also forced us to quickly embrace the norms of the future digitalized economy in which business relationships and transactions will become increasingly mediated by digital technology. This new economic paradigm will provide us with an opportunity to discover new modes of functionality and productivity, allow us to balance mobility with responsibility and will help to generate business models that are more resistant to future public health crises Indeed, the adjustments we are now being forced to make, in terms of shifting to remote services and working remotely, will become the new normal underpinning the ethos of public and private sector organizations in many countries in the post-COV1D-19 era.

This crisis has also provided countries with the opportunity to maximize their full potential by un-tapping hidden sources of strength and resilience. Facing isolation, reduced trade, reduced inbound travel and tourism and the possibility of economic recession due to the interconnectedness of the global economy, many countries have now been forced to discover new sources of competitive advantage and survival which they are now locating within their own national borders and which they have traditionally overlooked or underutilized.

In the end, by forcing countries to be more in-ward looking in responding to and adjusting to the exogenous shocks induced by the COVID-19 pandemic, some countries would have chartered their own path to increased self-reliance which will serve them well in the post-COVID-19 era.
In this moment of darkness, fear and uncertainty, the new vicissitudes of life have also helped many of us to appreciate the things that really matter in life-bonding with children, reconnecting with relatives and loved ones, protecting the elderly, being each other brother’s keepers, sharing with the less fortunate, identifying with the suffering of others, paying closer attention to our diet and health and recognizing the temporality of life.

As we continue to fight this crisis together, we are reminded that we have been here before and like we overcame in the past, so shall we again. How quickly we do so will, however, depend significantly on the extent to which we, as citizens, are able to act selflessly and obey precautionary measures, on the one hand, while the state and the private sector must work collaboratively, on the other hand, to deploy resources and lead initiatives to encourage economic resilience as well to help those who are suffering the greatest.

To this end we must continue to:
• practice social distancing and limit interactions that will increase exposure to infection
• observe regulations about public gatherings
• desist from circulating misinformation or fake news that can contribute to more panic and confusion
• sterilize infrastructure and public facilities.
• Allocate public funds to support the preservation of jobs in both the public and private sector
• Introduce measures that will reduce taxes and financial burden on the poor
• Subsidize necessities for the poor including food, housing, medicine etc.
• Partner with the private sector to transform hotels, hostels and residential rentals into accommodation centers for quarantined or infected persons.
• Revisit our travel and tourism institutional structure
• Prepare plans for public investments
• Closely examine the preparedness of our education and health care systems to respond to future shocks

MEDIA CONTACT: Jamaica Ministry of Tourism, Corporate Communications, 64 Knutsford Boulevard, Kingston 5, Tel: 920-4926-30, Fax: 920-4944

“DEEP JAPAN” Exhibit on Seto Inland Sea Has Opened at Kansai International Airport

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Business News first on FIR:

OSAKA, Japan–()–The Agency for Cultural Affairs, Government of Japan is holding a new initiative called the “Japanese cultural media arts dissemination initiative in airports and other institutions” for inbound tourists.

Overview of Exhibition at Kansai International Airport

Date & Time:

(Phase 1) Sunday, February 16 to Tuesday, March 31, the second year of Reiwa (2020)

(Phase 2) Early March to March 31, the second year of Reiwa (2020)

Location:

Kansai International Airport (Izumisano City, Osaka) Terminal 1 International Arrival Lobby North-South Corridor (Phase 1)

JR Kansai-Airport Station (Phase 2)

Content:

New media art by artists MANABE Daito and NAKAYAMA Akiko and creative producer UKAWA Naohiro on the theme of the Seto Inland Sea, exhibited in the north-south corridor of Kansai International Airport Terminal 1’s International Arrival Lobby (Phase 1), and media art by Okayama Art Summit artist Ryan Gander and creative producer NASU Taro exhibited in JR Kansai-Airport Station (Phase 2)

Official website: https://jmadm.jp/en/

A media arts exhibit entitled “DEEP JAPAN” on the theme of the Seto Inland Sea has begun at Kansai International Airport and JR Kansai-Airport Station on Sunday, February 16, 2020.

“DEEP JAPAN” is taking place over two periods in two locations.

Phase 1 features a piece by MANABE Daito of Rhizomatiks Research entitled “phase” in the approximately 570-meter south corridor of Terminal 1’s International Arrival Lobby and NAKAYAMA Akiko’s “Whirlpool Art” in the approximately 400-meter north corridor of the lobby, both produced by UKAWA Naohiro, from February 16. “phase” is a new piece that visualizes data generated from the waves of Seto Inland Sea as well as international flight arrival times, while “Whirlpool Art” is a new live painting performance piece inspired by the Naruto whirlpools.

Phase 2 features “Imagineering” by Ryan Gander, an artist at Okayama Art Summit 2016, produced by the 2019 summit’s executive director NASU Taro, in JR Kansai-Airport Station. Furthermore, a panel exhibition in cooperation with Setouchi DMO invites visitors from overseas to the Setouchi area’s diverse tour destinations.

This encounter with cutting-edge media arts will convey new Japanese cultural insights and appeal to tourists in Japan.

The Agency for Cultural Affairs is hosting the “Japan Media Arts Distributed Museum” that will be deployed in 10 Japanese airports sequentially as part of a new project called the “Japanese cultural media arts dissemination initiative in airports and other institutions.”

The artists and creators featured in this exhibition capture the cultural resources borne out of various local cultures through fresh perspectives in places like airports, which serve as gateways to these regions. By showcasing the works of media arts, we invite visitors to explore the true spirit of these cultures throughout their travels.

Kansai International Airport Exhibition Summary

Theme: Setouchi Area

The Setouchi area, which includes the beautiful Seto Inland Sea, is a region rich in nature exceeding 900,000 hectares and containing 727 islands. It became Japan’s first national park in 1934. Home to numerous world heritage sites like Itsukushima Shrine and nationally-designated historic streetscapes as represented by the city of Kurashiki, it is a treasure house of cultural resources. For visitors from overseas, it is a place through which to thoroughly get to know Japan, from its little-known unique scenery to its historically-significant buildings and ornaments.

Seto Inland Sea was central to ancient Japan’s sea routes. As an important transit route for envoys to Tang China, the Yamato Imperial Court built harbors, and Shogun Taira no Kiyomori developed these routes for trade with the Song dynasty during the Heian period. Shipping through the Seto Inland Sea reached its peak during the Edo period. In this way, it has carried a variety of people and goods inside and outside of Japan for thousands of years, accumulating various important cultural assets along the way. In addition, the large number of islands cause tides to change severely in places, leading to the development of the ports as sailors waited for the tides to turn, making it a truly unique ocean area. Now, Kansai International Airport in Osaka Bay, the easternmost point of that area, serves as a key gateway connecting Setouchi to the world.
The Setouchi area is also host to world-famous art festivals like Okayama Art Summit and Setouchi Triennale, to which many visitors come from Europe and North America to enjoy the fusion of modern art and the region’s nature. Awaji Island, Seto Inland Sea’s largest island, is a place of Japanese legend overflowing with cultural significance. According to Japan’s oldest historical record, the Naruto Strait is where a god thrust a spear into the sea and stirred it to bring the very first shape to a world of chaos. Even the Naruto whirlpools drawn by KATSUSHIKA Hokusai are art produced by nature. The massive eddies that rise up from the sea floor to its surface are breathtaking spectacles for all who visit. Shodo Island, the second-largest island, is famous for its contribution to Japanese food culture with its olive groves and soy sauce production. It is also historically significant for the former quarry that produced the stones for the walls of Osaka Castle. One can run from Onomichi along the Shimanami Kaido while enjoying the salty sea breeze, and experience Japanese cuisine while imagining the generations and generations of people through the ages who have done precisely the same. Ogijima, a valuable island that has preserved its lifestyle of old and is also home to a large number of cats, and Chichibugahama Beach, which gleams like the mirror surface of Uyuni Salt Flat in Bolivia, are also in the Setouchi area. The culture of the Setouchi area has developed through the countless travels of people back and forth, and thus offers the chance to peer into the deep, deep history of Japanese culture.

Exhibition: “DEEP JAPAN”

A “sky gateway museum” that combines media arts into a new Japanese cultural history
Creative producer: UKAWA Naohiro (DOMMUNE)

An airport is just what the name implies – a port of the air, a gateway to the sky.

This floor is indeed a gateway for cultural interaction with different countries and regions, and even a kind of cloister where people who have literally crossed borders are thrown together. So in this hub of human activity, the Agency for Cultural Affairs, whose mission is to stimulate international cultural exchange, is showing the world a new initiative that crossfades Japan’s historic cultural resources into cutting-edge media arts. Yes, this is the concept of the distributed museum that installs media artwork mixing regional culture and their stories in airports around the country. This initiative lets participating international airports take the lead in collaborating with artists to create “sky gateway museums” in an aim to encourage the increasing number of inbound tourists to stay longer and connect with other regions, strengthening the foundation of Japan tourism and catalyzing media art. Kansai International Airport’s version is like a dancefloor, matching the beat of the most avant-garde applied technology (media art) to the rare grooves of Japan’s historic cultural resources. And its name is Japan Media Arts Distributed Museum: Deep Japan!

The artists’ pieces unveiled here, which mix images of Seto Inland Sea with a variety of media, represent a search for the universal potential of historic chance encounters with media arts. A read of history reveals that in any era, new media and novel technological inventions are merely tools in the hands of creators. For example, rock art and cave murals, the Nazca Lines and pyramids, and Jomon pottery and keyhole-shaped tumuli can be interpreted as media art from mythical ancient times, but even from long ago, media and technology have never been more than tools to bring imagination to life. Now, in the age of industry 4.0, we have conceptualized museums at the gateways to the sky as a new Japanese cultural history. We have also drawn an alternative future of revitalization for rural Japan and used an international airport as the stage for a completely new type of media art.

The first piece is by Rhizomatiks Research and Daito Manabe, 314 LED lights installed in the approximately 570-meter corridor running parallel to the runway. The LED lighting patterns are generated from Seto Inland Sea wave data as well as data from the timetable of international flights arriving at Kansai International Airport. It links the wave cycle of Seto Inland Sea, praised by many Westerners including German physician and botanist Philipp Franz von Siebold for its picturesque scenery, with the record of visitors to Japan from overseas, synchronizing traveler activity with environmental change in Setouchi.

NAKAYAMA Akiko’s piece is a fusing of the Naruto Strait with her distinct style of flowing colors depicting change over time. According to Japan’s oldest historical record, the Naruto Strait is where a god thrust a spear into the sea and stirred it to bring the very first shape to a world of chaos, and this artwork, made of colors inhabiting a single moment, stands alongside the imagery, poetry, performance, and other media through which storytellers have told of this legendary place for a thousand years.

Japan Media Arts Distributed Museum: Deep Japan is the intersection of technology and history, media and tourism, art and tradition! It is the concept of museums at the gateways to the sky that combine media arts into a new Japanese cultural history. As all of these composition elements are mixed together in the airport to form a completely new network of hubs, each airport becomes a node in this modern distributed museum. And this time, the museum features two leading Japanese artist teams!

Artist:

MANABE Daito

Tokyo-based artist, interaction designer, programmer, and DJ. He established Rhizomatiks in 2006 and then the R&D-heavy project-focused Rhizomatiks Research in 2015 with ISHIBASHI Motoi.

He creates artwork by reconceptualizing familiar phenomena and materials from new perspectives and in new combinations. Instead of going for high-resolution, highly realistic, rich expression, he focuses on phenomena only discovered through careful observation, the inherent attractiveness of bodies, programming, and computers, and the relations and boundaries between analog and digital, real and virtual, as he works in the domains of design, art, and entertainment.

His broad range of collaborations include the likes of SAKAMOTO Ryuichi, Bjork, OK GO, Nosaj Thing, Squarepusher, Andrea Battistoni, NOMURA Mansai, Perfume, and Sakanaction as well as the Jodrell Bank Center for Astrophysics in Manchester, England, and CERN.
He has received many awards both at home and abroad, including the Ars Electronica Distinction Award, Cannes Lions International Festival of Creativity Titanium Grand Prix, D&AD Black Pencil, and Japan Media Arts Festival Grand Prize.

NAKAYAMA Akiko

Graduated from Tokyo Zokei University’s Department of Fine Arts with a major in painting in 2012 and a master’s in art research in 2014. She creates living paintings using color and flowing energy to react a variety of materials with each other.

As shown by her continually-transforming “Alive Painting” series or the “Still Life” series that visualizes and solidifies the filtration process of the former’s run-off, she is continuously producing strongly performative paintings. Her dynamically-changing artwork harmonizing various media and colors are almost like extemporaneous poetry. Viewers are led into this poetic landscape by projecting into it themselves, living things, nature, and more. In her solo exhibitions, she uses sound as “invisible paint” , touching on space and emotion through her painting. In recent years she has appeared at TEDxHaneda, DLECTRICITY Art Festival (Detroit), a solo performance at NEW ARS ELECTRONICA (Austria), Biennale Nemo (Paris), LAB30 Media Art Festival (Augsburg), TECHNARTE art + technology (Bilbao), MUTEK Montreal, and more.

Creative producer:

UKAWA Naohiro (DOMMUNE)

Born in Takamatsu, Kagawa Prefecture, in 1968. Identified as a “current artist”, instead of a contemporary artist. As a filmmaker, graphic designer, VJ, writer, university professor, he has engaged in a wide range of extremely diverse activities since the late eighties. Since participating in the “Buzz Club: News from Japan” (MoMA PS1, New York) and “JAM: Tokyo-London” (Barbican Art Gallary, London) in 2001, his work has been featured in exhibitions around the world. In 2010, he founded DOMMUNE, Japan’s first live streaming channel/studio. DOMMUNE has built “satellite studio” pieces at contemporary art exhibitions in London, Dortmund, Stockholm, Paris, Mumbai, Linz, Fukushima, Yamaguchi, Osaka, Kagawa, Akita, and Sapporo. In 2019, “DOMMUNE SETOUCHI” was presented at the Setouchi Triennale. DOMMUNE has created over 5000 shows (7000 hours, 150 terabytes worth of programming) viewed by over 100 million people in the past 10 years. The studio moved to the 9th floor of Shibuya PARCO in 2019, and transformed into SUPER DOMMUNE, updating content to evolve with and anticipate the technologies of the post-5G future.
https://www.dommune.com/

Artist:

Ryan Gander

Born in Chester, England, in 1976. Currently active in London and Suffolk. A driver of the new-generation conceptual art scene, he is known for artwork that turns familiar, everyday objects into universal concepts. In Japan, he has had numerous solo exhibitions at national art museums such as “Icarus falling – An exhibition lost” (Maison Hermès, Tokyo, 2011), “You have my words” (Dazaifu Tenman-gu, Fukuoka, 2011), and “These wings aren’t for flying” (The National Museum of Art, Osaka, 2017). He has also participated in major international exhibitions such as the 54th Venice Biennale (Venice, 2011), documenta (13) (Kassel, 2012), Okayama Art Summit (Okayama, 2016), and Sydney Biennale (2018), garnering high praise both inside and outside of Japan. In January 2021 he will have a solo exhibition at Tokyo Opera City Art Gallery.

Creative producer:

NASU Taro

Born in Okayama in 1966. Graduated from Waseda University. After working in Tenmaya’s art division, he opened the modern art gallery TARO NASU in Tokyo in 1998. He has collaborated with many art museums and other public institutions in Japan and overseas. In 2016, he established Art & Public, a company mainly engaged in art consulting. Now, he works to popularize modern art, serving as art advisor for “Imagineering Okayama Art Project” (2014) and executive director for Okayama Art Summit 2016 and 2019.

Okayama Art Summit

The Summit is an international modern art exhibition held every three years in the city of Okayama. For Okayama Art Summit 2019 (the second summit), the artistic director was French artist Pierre Huyghe, and it was held over two months from September 27 to November 24, 2019, in Okayama Castle and various other historic cultural venues around Okayama Korakuen. Entitled “IF THE SNAKE”, it featured 18 artist groups from nine countries selected from around the world. In 2019, Asia Art Pioneer, which recognizes Asian groups, artists, programs, and exhibitions that contributed to the global art scene, awarded it Public Art Project of the Year.

Okayama Art Summit 2019

Period:

Friday, September 27 to Sunday, November 24, 2019 (51 days)

Organizer:

Okayama Art Summit Executive Committee (Okayama City, Ishikawa Foundation, Okayama Prefecture)

Chairman:

OMORI Masao (Mayor of Okayama City)

Executive producer:

ISHIKAWA Yasuharu (President of Ishikawa Foundation, President of Stripe International Inc.)

Executive director:

NASU Taro (Representative Director of Art & Public)

Artistic director:

Pierre Huyghe (Artist)

Public program director:

KINOSHITA Chieko (Associate Professor, Osaka University Co-Creation Bureau’s Office for Society-University Co-Creation)

Setouchi DMO

DMO (Destination Management/Marketing Organization) conducts an integrated management of the entire region by vitalizing the tourist destinations. The Setouchi DMO consists of The Inland Sea, SETOUCHI Tourism Authority, which plans and carries out tourism marketing promotion, and the Setouchi Brand Corporation Inc. that supports tourism product development by utilizing the Setouchi Kanko Kasseika Fund. Making the most of the broad and varied tourism resources of Setouchi, the Setouchi DMO, together with relevant parties, conducts information dissemination, promoting activities, effective marketing and strategy formulation, and encourages the local tourism-related business operators to develop tourist destinations.

Overview of Exhibition at Kansai International Airport (Details)

Date & Time:

(Phase 1) Sunday, February 16 to Tuesday, March 31, the second year of Reiwa (2020)

 

(Phase 2) Early March to March 31, the second year or Reiwa (2020)

Location:

(Phase 1) Kansai International Airport (Izumisano City, Osaka) Terminal 1 International Arrival Lobby North-South Corridor

 

(Phase 2) JR Kansai-Airport Station

Artists:

(Phase 1) MANABE Daito, NAKAYAMA Akiko

 

(Phase 2) Ryan Gander

Creative producers:

(Phase 1) UKAWA Naohiro

 

(Phase 2) NASU Taro

Supporters:

Setouchi DMO

 

Ishikawa Foundation

 

West Japan Railway Company

 

Kansai Airports

Organizer:

Agency for Cultural Affairs, Government of Japan

 

“Japanese cultural media arts dissemination initiative in airports and other institutions in the first year of Reiwa”

Puerto Rico Tourism: Out with the old, in with the new

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“Since our inception last July, we hit the ground running to accelerate the tourism economy,” said Brad Dean, CEO of Discover Puerto Rico. “This brand campaign follows a strong publicity effort that set up Puerto Rico as the top place to visit in 2019 and a recently revamped website, DiscoverPuertoRico.com.

“The creative highlights our two strongest assets – our culture and our people – and will help us strengthen traveler’s familiarity with what makes our Island one-of-a-kind.”  The campaign officially launches today across digital channels via digital banners, social, pre-roll and a follow-up TV spot that will launch in coming weeks in key markets. Additional marketing support is expected throughout the rest of 2019, to attract visitors to the Island during the summer travel season.”

Discover Puerto Rico, Puerto Rico’s newly-established Destination Marketing Organization (DMO), announced today the rollout of Puerto Rico’s brand campaign called “Have We Met Yet?” which draws inspiration from Puerto Rico’s cultural and natural offerings and at its essence, focuses on the hospitable and welcoming nature of its people. By posing the question “Have We Met Yet?” the creative re-introduces the Island to the world and brings to life the exotic yet familiar essence of Puerto Rico. As the U.S. mainland’s “neighbor to the south,” the new campaign showcases through Puerto Rico’s iconic doors how the Island welcomes visitors with open arms.

Following extensive research that showed that Puerto Rico’s brand identity was neutral in the minds of travelers, this new campaign is this next phase of Discover Puerto Rico’s brand repositioning process, enabling the Island to fully capitalize on its rich tourism product offerings and emerge as a leading Caribbean destination. The creative repositions the island as that neighbor that one dreams of – with the festive flair, the ocean view, the incredible art collection, the delicious food. Puerto Rico is the neighbor you’ll laugh with, celebrate with, and maybe even fall in love with.

“Puerto Rico’s people, its rich culture and unparalleled natural offerings, combined with the fact that it’s a U.S. territory and easily accessible, were key factors that led to this creative. We’re excited to debut this brand campaign as it opens the door, literally, to endless possibilities that showcase the spirit of the Puerto Rican people and everything the Island has to offer,” said Leah Chandler, CMO of Discover Puerto Rico.

Travelers exposed to the new brand campaign will be immediately drawn by the colorful vibrant doors and stunning imagery found throughout the Island. The creative highlights many aspects that make Puerto Rico a unique destination—ranging from its people, its cuisine, its festive spirit, its natural attractions, and much more.

“The campaign invites travelers to visit Puerto Rico and meet us, the neighbor that you can’t live without,” said Chandler. “Puerto Rico was named the #1 Place to Visit in 2019 by the New York Times and has topped over 20 other notable lists of places to visit this year,” she added. “We want to send a message to all travelers that this is THE year to visit Puerto Rico. The entire island is eager to welcome them.”

The creative was ideated and produced by Beautiful Destinations, with support from local production crews who traveled throughout the Island to capture the beautiful scenery, thousands of colorful doors, and welcoming faces of the Puerto Rican people.

To view the “Have We Met Yet?” creative online, visit YouTube.com/DiscoverPuertoRico and be on the lookout for additional campaign creative coming soon.

Travel News | eTurboNews

Indian travelers expected to spend $136 billion by 2021

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The Indian traveler has come of age, spending approximately $94 billion in 2018, on around 2 billion domestic and international trips, helping the Indian travel and tourism industry achieve unprecedented scale.

The momentum is expected to continue and the industry will grow at a 13 percent CAGR to $136 billion by 2021, according to a report, ‘How Does India Travel’. The report outlines how India spends on travel, the influence of online channels in their purchase journey and potential growth opportunities for travel businesses till 2021.

Deep diving into the $136 billion spends, the report cites a 12 percent growth in transportation ($50 billion), 13 percent growth in lodging ($21 billion) and consumption, which includes spends on shopping, recreation and food, to grow at 13 percent ($65 billion) over the next three years. Additionally, as more people come online, smartphone penetration improves and use of digital payments goes up, the report estimates that Indian travelers will spend an additional $24 billion on online travel bookings over the next three years, a growth from 25 percent in 2018 to 35 percent in 2021.

Online is a significant source of research

Elucidating the planning journey of Indian travelers, both for business and leisure, the report calls out five phases of a customer journey – Interest, Research, Booking, Experience and Sharing. The report states that during key research-heavy phase of interest, research and experience, digital plays a pivotal role with over 86 percent of consumers being influenced by online channels. During this phase, travelers spend their maximum time on search, travel tour provider websites, price comparison websites, and travel articles. Online video too plays a significant role with 21 percent of travelers being influenced by this platform. In the booking and sharing phase, the report states that nearly 60 percent of customers book transport and lodging online, and over 50 percent share feedback online with social media being the dominant platform.

Talking about the market opportunities for online travel players, Vikas Agnihotri, Country Director – Sales, Google India said, “New users perceive that online channels are geared towards the more frequent flyers and experience-oriented travellers; and existing travelers research online but the lack of trust in payments and booking experience make them end up booking offline. If travel players tap these online users through personalised marketing, messaging and travel plans, they can further augment online travel bookings. This can be done by adopting digital technologies to influence customers early in the journey and moving from one-time engagement to ongoing relationships to have a positive impact.”

“There is a perception amongst consumers that online channels are geared towards premium customers, along with a marked distrust around payment and pricing terms. It is imperative for businesses to address these concerns in order to effectively tap into the growing base of users.” Arpan Sheth, partner Bain & Company said.

Decoding the Indian travelers

The report further identified the five cohorts of travelers in India, across business and leisure travel, and categorised each against their online research behavior:

Frequent flyers: Nearly 70 percent of them booked online, cumulatively spent $17 billion in 2018. They make their choices based on convenience, availability, brand preference and past experiences.

Budget business traveler: 86 percent of them researched online whereas only 60 percent book online, cumulatively spent $20 billion in 2018. This cohort makes their decisions based on cost of travel, availability and consultation amongst their personal business network.

Experience-oriented traveler: Around 70 percent of their bookings were done online and cumulatively spent $22 billion in 2018. They extensively research both online and offline for ‘authentic’ experiences and convenience of options; display high loyalty towards preferred brand of airlines or hotels and actively share experiences.

Budget group traveler: 90 percent researched online and 55 percent booked online, cumulatively spent $29 billion in 2018. They make multiple decision-makers in the process and take the final decisions based on minimal cost.

Occasional travel visiting friends/relatives: 92 percent researched online but only 60 percent booked online, spent $6 billion in 2018. They maximize family convenience within a budget and believe online terms and conditions are restrictive.

Travel News | eTurboNews

Top 10 sustainable places to stay around the world revealed

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Travel is not just about seeing the wonders of the earth but understanding our impact upon it. With increasing frequency, people are looking to make the shift from “tourist” to “conscious traveler” by finding ways to maximize positive impacts on the locations they visit. Making thoughtful choices about how, when, and where you go on a vacation can make a significant difference. So, this Earth Day, travel experts analyzed over eight million traveler reviews from last year to find the key hot spots for eco-travelers.

Delving deep into sentiment, the global data showed the 10 best places to stay around the world, as reviewed by Expedia travelers. From boutiques with beehives and resorts with rainwater recycling, to grand urban retreats with solar cell power, many of these amazing places show that luxury and sustainability are not mutually exclusive.
Additionally, the experts highlighted the top countries with the best reviewed eco-conscious accommodations, with the USA topping the charts.

Top 10 eco-friendly stays

1.Sandos Caracol Eco Resort, Mexico
2.Nomad Hotel Roissy CDG, Paris, France
3.Siloso Beach Resort, Sentosa, Singapore
4.Habitat Suites, Austin, Texas
5.Pakasai Resort, Krabi, Thailand
6.PARKROYAL on Pickering, Singapore
7.The Green House, Bournemouth, UK
8.Listel Hotel, Vancouver, Canada
9.Hotel Verde, Cape Town, South Africa
10.Sherwood Queenstown, Queenstown, New Zealand

Top 10 sustainable countries around the world

1.USA
2.Mexico
3.Canada
4.Australia
5.UK
6.Costa Rica
7.Thailand
8.New Zealand
9.France
10.Italy

Sustainable travel is the perfect opportunity to show Mother Earth and fellow inhabitants how much you care.

1. Sandos Caracol Eco Resort – Playa del Carmen, Mexico

Situated between dense jungle and the blue of the Mexican Caribbean coast, this Rainforest Alliance-certified destination is among the highest-rated by travellers for the multitude of positive impacts it offers.

•Extensive policies governing waste management, resource consumption and natural conservation

•Opportunities for guests to engage in ecologically sustainable practices: eco-tours, cruelty-free animal interactions and beach meditation

•A commitment to the community, reflected in celebrations of local indigenous culture, on-site markets that support local artisans, and local partnerships to improve area schools

2. Nomad Hotel Roissy CDG – Paris, France

Located five minutes by car from Charles de Gaulle airport, the Nomad Hotel Roissy CDG boasts Scandinavian-inspired design, tech-enabled customisable room layouts and a mission to “to reduce the ecological impact of these buildings to a minimum, at every stage of life, from design to operation”—making it the perfect accommodation for digital nomads with green leanings.

•Rigorous standards for creation/loss of heat and a low total annual energy consumption, supported by green (living) exterior cladding, solar panels, air handling units

•Proactive efforts to neutralize water impact through use of rainwater collectors

•Use of sustainable materials, including PEFC wood, carpets made from recycled fishing nets, recycled stone and glass shower units

3. Siloso Beach Resort, Sentosa – Singapore

Just off Singapore’s south coast lies Sentosa Island, a haven whose southwest coast is the home to the Siloso Beach Resort. Steps from the sandy beaches of the South China Sea, this award-winning eco-resort has taken special care to integrate the surrounding habitat into its design by prioritizing open spaces and preserving established natural features like mature trees and flowing springs. The result? A uniquely organic take on a luxurious beach resort experience.

•200 original trees preserved (and 450 planted) on-site; landscape pool fed by underground waters and built according to natural terrain formation

•72% of the resort is open-air—and activities including cycle tours, hikes and other eco-adventures

•Operations keep ecological impacts top-of-mind, emphasizing locally-sourced foods, limited use of plastics, and reduced energy consumption

4. Habitat Suites – Austin, TX, USA

Habitat Suites, a sustainable gem in the heart of Texas’ most progressive city, boasts a 30-year track record of forward-thinking environmental stewardship. Habitat Suites has been a charter member of the Green Hotels Association since 1991—and won an Austin Green Business Leader Gold Award in 2018.

•Widespread use of alternative energy, including solar panels, solar thermal and electric vehicle charging
•On-premises organic fruit and herb gardens; clean, local and organic food options

•Use of plant-based, zero harsh chemical detergents for cleaning; bio-safe guest shampoos and detergents; hypoallergenic suites that include live potted plants and windows that open for access to fresh air

5. Pakasai Resort – Krabi, Thailand

Spa treatments, boxing and cooking classes plus plenty of space for lounging by the pool—the Pakasai Resort delivers on everything you’d expect from a tropical Thai resort, then sweetens the deal with an impressive list of sustainability efforts. “Krabi’s Greenest Resort” was the first in the area to win an ASEAN Green Hotel Award (2014).

•Resource conservation efforts include rainwater capture and greywater recycling, energy efficient lighting, biogas production and reduction of plastic use

•Careful attention given to reducing carbon emissions through waste minimization program and collaboration with the local community and local organizations

•Guests are encouraged to make their stay even greener by joining the #GreeningPakasai campaign, which incentivizes visitors to make low-carbon choices around food, transportation, linen services and local activities

6. PARKROYAL on Pickering – Singapore

With 15,000 square metres of greenery and a cutting-edge design, the PARKROYAL is equally impressive in what it does and doesn’t do. This LEED-certified masterpiece saves 32.5 Olympic-sized swimming pools’ worth of water annually and could power an estimated 680 households with the energy saved by its conservation efforts.

•Highly regulated resource consumption through employment of light, motion, and rain sensors

•Solar cells and rainwater collection mean zero-energy maintenance of the 15,000 m2 sky gardens

•Thoughtful construction processes reduced concrete (and associated waste and energy expenditure) use by more than 80%

7. The Green House – Bournemouth, UK

Equally suitable for weddings, self-care weekends and romantic getaways, every detail of this eco-hotel has been designed to help guests feel great while doing good. That ethos touches every facet of The Green House, from the building’s renewable energy production and Forest Stewardship certified, UK-crafted furnishings to the on-site restaurant’s adherence to local sourcing and high animal welfare standards—the company car even runs on bio-fuel from the kitchen’s old cooking oil!

•The use of earth-friendly cleaning products and efforts toward energy conservation

•Staff are trained in the ethos of sustainability and are encouraged to find new ways to improve the Green House’s efforts

•Environmental efforts extend to the exterior grounds, including bird and bat boxes (to provide a safe place for breeding) and rooftop beehives that produce honey

8. The Listel Hotel Vancouver – Vancouver, BC, Canada

The Listel Hotel dedicates itself to both environmental responsibility and the arts. The hotel provides a location to elevate local and international artists—including a gallery dedicated to First Nations artists from the Northwest Coast—while participating in the city of Vancouver’s “Corporate Climate Leader” program, setting an example for sustainable tourism efforts across the globe.

•Responsible food practices including membership in Vancouver Aquarium’s Ocean Wise sustainable seafood program and a commitment to offering local and sustainable food and wine

•Conservation efforts including 20 solar panels, a state-of-the-art heat capture program (reducing the hotel’s natural gas use by 30%) and water reduction and air quality programs

•Adherence to a 100% Zero Waste policy since August 2011

9. Hotel Verde – Cape Town, South Africa

“Sustainable by design, stylish by nature” is the modest motto of Cape Town’s Hotel Verde. The first hotel in Africa to offer 100% carbon-neutral accommodation and conferencing, the Cape Town Verde has earned an extensive list of international accolades (LEED Platinum certification and a 6-star rating from the Green Building Council of South Africa) for its extensive adherence to sustainable practices.

•Restoration of the surrounding wetlands now supports indigenous water-wise vegetation and a healthy population of Cape honeybees—as well as an ecotrail, outdoor gym, and eco-pool for visitor use, plus on-site edible food gardens and aquaponics

•Energy efficiencies include photovoltaic panels on the roof and north-facing facades, wind turbines, energy-generating gym equipment and geothermal heat

•Commitment to social responsibility through sustainable procurement practices, waste management and community involvement

10. Sherwood Queenstown – Queenstown, New Zealand

Sustainability and connection with nature are behind every detail you’ll encounter at the Sherwood Queenstown, a boutique hotel perched on three acres of alpine hillside overlooking Lake Wakatipu. The Sherwood operates based on the belief that “a simple respect for nature lies at the heart of any sustainable practice”. The hotel’s orchards and kitchen garden supply its award-winning restaurant; most rooms offer sweeping mountain or lake views, and all are outfitted with South Island wool blankets and locally-sourced beverages. Mornings start with optional yoga sessions, followed by hiking, mountain biking, skiing or snowboarding.

•A focus on materiality selection that integrates the building with the landscape, while employing upcycled fixtures, fittings and furnishings

•Conscious choices about energy generation—the Sherwood is one of the largest private solar installs in New Zealand and currently generates enough electricity to return surplus to the grid

•Selection of food, wine, beer, spirits, and other consumable products that are local, natural, healthy, ethical, seasonal and sustainable in their production and use

Travel News | eTurboNews